BCS āĻĒāϰ⧀āĻ•ā§āώāĻžāĻ°ā§āĻĨā§€āĻĻ⧇āϰ āϜāĻ¨ā§āϝ -

BCS Preli Model Test


Question 1: 'Melodrama' is a kind of play of -

a. violent and sensational themes

b. historical themes

c. philosophical themes

d. pathetic themes

Question 2: Who among the following is a dramatist ?

a. George Bernard Shaw

b. E.M. Forster

c. T.S. Eliot

d. Stephen Spender
Question 3: Silent Woman written by ---- ?

a. John Ruskin

b. Ben Jonson

c. Kalidas

d. Munshi Prem Chand

 

Question 4: Who did write first English dictonary ?

a. Boswell

b. Ben Jonson

c. Samuel Johnson

d. Milton

Question 4: Who of the following was both a poet and painter ?

a. Keats

b. Donne

c. Blake

d. Spenser

Question 5: Charles Dickens was the writer of -

a. Jane Eyre

b. Wuthering Heights

c. David Coperfield

d. Return of the Native

Question 6: T.S. Eliot was born in -

a. Ireland

b. England

c. Wales

d. U.S.A

Question 7: We look before and after pine for what is not a quotation from P.B Shelley's -- ?

a. The Cloud

b. Adonias

c. To a Skylark

d. Ode to the west wind

Question 8: 'Cowards die many times before their death' - occurs in Shakespeare's.

a. Julius Caesar

b. Hamlet

c. Macbeth

d. Othello

Question 9: Which one does not relate to literature?

a. Epilogue

b. Monologue

c. Demagogue

d. Prologue

Question 10: Which of the following ages in literary history is the latest?

a. The Anglo Saxon Age

b. The Renaissance Age

c. The Romantic Age

d. The Victorian Age

Question 11: Romeo and Juliet is a -

a. comedy

b. tragedy

c.tragic comedy

d. morality play

Question 12: Who was the famous mock-heroic poet in English Literature?

a. Lord Byron

b. John Milton

c. Alexander Pope

d. Lord Tennyson

Question 13: Who wrote the poem 'Solitary Reaper' ?

a. Wordsworth

b. Shelley

c. Keats

d. Shakespeare

Question 14: Who is the only Trojan who did not speak evil of Helen and was gentle and kind to her ?

a. Priom

b. Hector

c. Paris

d. Penelope


Question 15: Who translated the Bible into English for the first time ?

a. Nicolus Udall

b. Thomas Norton

c. John Wycliff

d. Edmund Spenser

Question 16: Which of the following writters belongs to the romantic period in English literature?

a. Alfred Tennyson

b. Alexander Pope

c. John Dryden

d. S.T. Coleridge

Question 17 : Shylok āϝ⧇ āύāĻžāϟāϕ⧇āϰ āϚāϰāĻŋāĻ¤ā§āϰ, āϏ⧇ āύāĻžāϟāĻ•āϟāĻŋāϰ āύāĻžāĻŽ--

a. Doctor Faustus

b. The Merchant of Venice

c. The Way of the World

d. Arms and the Man

Question 18: What lies half sunk in the sand in Shelley's "Ozymandias" ?

a. broken statue

b. two trunkless legs

c. an ancient palace

d. broken head of a statue

Question 19: 'Lorna Doone' is
-
a. a drama by Shakespeare

b. a poem by Tennyson

c. a novel by Blackmore

d. an allegory by Bunyan

Question 20: Wordsworth was inspired by ---- ?

a. the French Revolution

b. the American Revolution

c. the Russian Revolution

d. the Industrial Revolution

Question 21 : 'The Daffodil' is a -----------

a.novel

b.short story

c.poem

d.epic

Question 22: What is a funny poem of five lines called?

a. Quartet

b. Limerick

c. lampoon

d.haiku

Question 23: What is "Linguistics"?

a. The study of history

b. The study of literature

c. The study of porse

d. The Scientific study of language

Question 24: Where is expressed the view that 'There is a divinity that shapes our ends?

a. In King Lear

b. In Hamlet

c. In The Tempest

d. In Merry Wives of Windsor

Question 25: Which one of the following does not mean 'a road'?

a. Alley

b. Boulevard

c. Track

d. Lagoon

26.Man and Superman' is a_______
a) tradegy
b) comedy an
c) tragi-comedy
d) allegory
27.George Bernard Shaw got Nobel Prize in______
a) 1726
b) 1861
c) 1874
d) 1925
28.'Jacobean Period' is English Literature refers to______
a) 1558-1603
b) 1625-1649
c) 1603-1625
d) 1649-1660
29.‘Paradise Lost’ attempts to—
a) Show that the Satan and God have equal power
b) Justify the ways of man to God
c) Explain why good and evil are necessary
d) Justify the ways of God to man
30.Who is famous for the theory of ‘Objective Co-relative’?
a) E.M. Forster
b) Somerset Maugham
c) Woolf
d) T.S. Eliot
31.Who is the author of the drama, ‘’You never can tell’?
a) G.B. Shaw
b) Ben Jonson
c) Christopher Marlowe
d) Shakespeare
32.Famous Irish poet and dramatist is--
a) W.B. Yeats
b) A. Pope
c) L. Tolstoy
d) H.G. Wells
33."Caesar and Cleopatra"- is ?
a) A tragedy by Shakespeare
b) A poem by Lord Byron
c) A play By G.B Shaw
d) A Novel by S. Coleridge
34.Who wrote “The Waste Land”?
a) W.B. Yeats
b) T.S. Eliot
c) E.M. Forster
d) H.G. Wells
35.“April is the cruelest month” is written by –
a) W.B. Yeats
b) Frost
c) T.S. Eliot
d) Auden
36. Which is The Elizabethan Period ?
a.1500-1660
b. 1558-1603
c. 1603-1625
d. 1660 -1798
37. 'Child is father of man' is taken from the writing of --
a.P.B. Shelley
b.S.T. Coleridge
c.W. Wordsworth
d.A.C. Swinburne

38. Reading maketh a full man conference a ready man ; writing an exact man' -- Who said this ?
a.Shakespear
b.Bacon
c.Keats
d.Kyd

39. Which of the following school of literary writings is connected with a medical theory ?
a.Comedy of Manners
b.Theater of the Absurd
c.Heroic Tragedy
d.Comedy of Humours
40.Protagonist' indicates--
a.the villain in a play
b.the leadidng character of actor in a play
c.the cloen in a play
d.the stage-director of a play
41.āϕ⧋āύ āχāĻ‚āϰ⧇āϜ āĻ•āĻŦāĻŋ āϝāĻ•ā§āĻˇā§āĻŽāĻž āϰ⧋āϗ⧇ āĻŽā§ƒāĻ¤ā§āϝ⧁āĻŦāϰāĻŖ āĻ•āϰ⧇āύ ?
a. P.B. Shelley
b. Robert Burns
c. S.T. Colerdge
d. John Keats
42.Dr. Faustus" was written by --
a. Ben Jonson
b. W. Shakespeare
c. Christopher marlowe
d. John Webster
43. Who wrote famous elegies "Lycidas"
a. Shakespeare
b. S.T. Coleridge
c. Alexander pope
d. John Milton

44.Ode to the west wind' is by--
a. Keats
b. Shelly
c. Coleridge
d. Wordsworth
45.Who wrote "Biographia Literaria"
a. Lord Byron
b. Coleridge
c. Shelly
d. Charles Lamb
46. Who wrote to "Ode to a Nightingale"
a. Pope
b. Shelly
c. Wordsworth
d. Keats
47.Murder in the Cathedral' is written by--
a. G.B. Shaw
b. Russell
c. T.S. Eliot
d. Samuel Becket
48.Charles Dickens is a great--
a. Poet
b. Critic
c. Playwright
d. Novelist.
49.Wordsworth was inspired by -
a. the French Revolution
b. the American Revolution
c. the Russian Revolition
d. the Industrial Revolution
50.What is 'Catastrophy'?
a. The comical end of dramatic events
b . The tragic end of dramatic events
c. The comic tragic end of the play
d. none of the above
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āĻ—)y>0
āϘ)āϕ⧋āύāϟāĻžāϝāĻŧ āύāϝāĻŧ
ā§­ā§Š.ā§Ģ āϏ⧇āĻŽāĻŋ āĻŦā§āϝāĻžāϏāĻžāĻ°ā§āϧ āĻŦāĻŋāĻļāĻŋāĻˇā§āϟ āĻāĻ•āϟāĻŋ āĻŦ⧃āĻ¤ā§āϤ⧇āϰ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻšāϤ⧇ ā§Ē āϏ⧇āĻŽāĻŋ āĻĻā§‚āϰāĻŦāĻ°ā§āϤ⧀ āĻœā§āϝāĻž āĻāϰ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ āĻ•āϤ?
āĻ•)ā§ŦāϏ⧇āĻŽāĻŋ
āĻ–)ā§­āϏ⧇āĻŽāĻŋ
āĻ—)ā§ŽāϏ⧇āĻŽāĻŋ
āϘ)⧝āϏ⧇āĻŽāĻŋ
ā§­ā§Ē.⧍,ā§Š,ā§­,ā§Ē,ā§§ā§Ļ,ā§Ģ..... āϧāĻžāϰāĻžāϟāĻŋāϰ āĻĻāĻļāĻŽ āĻĒāĻĻ āĻ•āĻŋ āĻšāĻŦ⧇?
āĻ•)ā§§ā§Ļ
āĻ–)⧧⧍
āĻ—)ā§§ā§Ŧ
āϘ)⧍ā§Ļ
ā§­ā§Ģ.āĻ¸ā§āĻĨ⧃āϞāϕ⧋āĻŖā§€ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āĻ¸ā§āĻĨ⧃āϞāϕ⧋āϪ⧇āϰ āϏāĻ‚āĻ–ā§āϝāĻž --
āĻ•)ā§§āϟāĻŋ
āĻ–)⧍āϟāĻŋ
āĻ—)ā§ŠāϟāĻŋ
āϘ)ā§ĒāϟāĻŋ
ā§­ā§Ŧ.āϝ⧇ āϏāĻŽāϕ⧋āĻŖā§€ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āϏ⧂āĻ•ā§āώāϕ⧋āĻŖāĻĻā§āĻŦāϝāĻŧ⧇āϰ āĻ…āĻ¨ā§āϤāϰ ā§Ž' āϤāĻžāϰ āĻ•ā§āώ⧁āĻĻā§āϰāϤāĻŽ āϕ⧋āĻŖ āĻ•āϤ āĻĄāĻŋāĻ—ā§āϰ⧀?
āĻ•)ā§Šā§Ž'
āĻ–)ā§Šā§¯'
āĻ—)ā§Ēā§Ļ'
āϘ)ā§Ēā§§'
ā§­ā§­.āϝ⧇ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āϤāĻŋāύ āϕ⧋āĻŖ āϏāĻŽāĻžāύ āϤāĻžāϕ⧇ āϕ⧋āύ āϧāĻžāϰāϪ⧇āϰ āĻ¤ā§āϰāĻŋāϭ⧁āϜ āĻŦāϞ⧇?
āĻ•)āϏāĻŽāĻŦāĻžāĻšā§
āĻ–)āϏāĻŽāϕ⧋āĻŖā§€
āĻ—)āϏāĻŽāĻĻā§āĻŦāĻŋāĻŦāĻžāĻšā§
āϘ)āϕ⧋āύāϟāĻžāϝāĻŧ āύāϝāĻŧ
ā§­ā§Ž.āĻāĻ•āϟāĻŋ āφāϝāĻŧāϤāĻ•ā§āώ⧇āĻ¤ā§āϰ⧇āϰ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ āĻĒā§āϰāĻ¸ā§āĻĨ⧇āϰ ā§Š āϗ⧁āĻŖāĨ¤ āφāϝāĻŧāϤāĻ•ā§āώ⧇āĻ¤ā§āϰāϟāĻŋāϰ āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ ā§Šā§Ļā§ĻāĻŦāĻ°ā§āĻ—āĻŽāĻŋāϟāĻžāϰ āĻšāϞ⧇ āωāĻšāĻžāϰ āĻĒāϰāĻŋāϏ⧀āĻŽāĻž āĻ•āϤ?
āĻ•)⧝ā§ĻāĻŽāĻŋāϟāĻžāϰ
āĻ–)ā§Žā§ĻāĻŽāĻŋāϟāϟāĻžāϰ
āĻ—)ā§­ā§ĻāĻŽāĻŋāϟāĻžāϰ
āϘ)ā§Ŧā§ĻāĻŽāĻŋāϟāĻžāϰ
⧭⧝.āĻĻ⧁āχ āϏāĻŽāϕ⧋āĻŖ āĻĨ⧇āϕ⧇ āĻŦāĻĄāĻŧ,āĻ•āĻŋāĻ¨ā§āϤ⧁⧁ āϚāĻžāϰ āϏāĻŽāϕ⧋āĻŖ āĻĨ⧇āϕ⧇ āϛ⧋āϟ,āϕ⧋āϪ⧇āϰ āύāĻžāĻŽ --
āĻ•)āϏ⧂āĻ•ā§āĻˇā§āĻŽ āϕ⧋āĻŖ
āĻ–)āĻ¸ā§āĻĨ⧃āϞ āϕ⧋āĻŖ
āĻ—)āϏāĻŽā§āĻĒā§‚āϰāĻ• āϕ⧋āĻŖ
āϘ)āĻĒā§āϰāĻŦ⧃āĻĻā§āϧ āϕ⧋āĻŖ
ā§Žā§Ļ.āϕ⧋āύ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āϤāĻŋāύāϟāĻŋ āĻŦāĻžāĻšā§āϕ⧇ āϚāĻ•ā§āϰāĻžāĻ•āĻžāϰ⧇ āĻŦāĻ°ā§āϧāĻŋāϤ āĻ•āϰāϞ⧇ āĻ‰ā§ŽāĻĒāĻ¨ā§āύ āĻŦāĻšāĻŋāσāĻ¸ā§āĻĨ āϕ⧋āĻŖ āϤāĻŋāύāϟāĻŋāϰ āϏāĻŽāĻˇā§āϟāĻŋ āĻšāĻŦ⧇?
āĻ•)ā§§ā§Žā§Ļ'
āĻ–)ā§§ā§Ģā§Ļ'
āĻ—)⧍⧭ā§Ļ'
āϘ)ā§Šā§Ŧā§Ļ'
ā§Žā§§āĨ¤ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āϤāĻŋāύāĻŦāĻžāĻšā§āϰ āϏāĻŽāĻĻā§āĻŦāĻŋāĻ–āĻŖā§āĻĄāĻ•āϗ⧁āϞ⧋āϰ āϛ⧇āĻĻāĻŦāĻŋāĻ¨ā§āĻĻ⧁āϰ āύāĻžāĻŽ āϕ⧀ ?
āĻ•. āĻŦāĻšāĻŋāσāϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ–.āĻ…āĻ¨ā§āϤāϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ—. āĻĒāϰāĻŋāϕ⧇āĻ¨ā§āĻĻā§āϰ āϘ. āĻ­āϰāϕ⧇āĻ¨ā§āĻĻā§āϰ
ā§Žā§¨āĨ¤ āĻāĻ•āϟāĻŋ āϏāĻŽāĻĻā§āĻŦāĻŋāĻŦāĻžāĻšā§ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āĻ­ā§‚āĻŽāĻŋ ā§§ā§ŦāĻŽāĻŋāϟāĻžāϰ  āĻ…āĻĒāϰ āĻĻ⧁āϟāĻŋāϰ āĻŦāĻžāĻšā§āϞ āĻĒā§āϰāϤāĻŋāϟāĻŋ ā§§ā§ĻāϟāĻŋāϰ āĻšāϞ⧇ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ?
āĻ•. ā§Šā§Ŧ āĻŽāĻŋ āĻ–. ā§Ē⧍āĻŽāĻŋ āĻ—.ā§Ēā§ŽāĻŽāĻŋ āϘ. ā§Ģā§ĻāĻŽāĻŋāϟāĻžāϰ
ā§Žā§ŠāĨ¤ āĻāĻ•āϟāĻŋ āϰāĻŽā§āĻŦāϏ⧇āϰ āĻ•āĻ°ā§āĻŖāĻĻā§āĻŦāϝāĻŧ⧇āϰ āĻĻ⧈āĻ°ā§āϘ ā§Ž āϏ⧇.āĻŽāĻŋ. āĻ“ ⧝āϏ⧇.āĻŽāĻŋ. āĨ¤ āĻāχ āϰāĻŽā§āĻŦāϏ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ⧇āϰ āϏāĻŽāĻžāύ āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ āĻŦāĻŋāĻļāĻŋāĻˇā§āϟ āĻĒāϰāĻŋāϏ⧀āĻŽāĻž āĻ•āϤ?
āĻ•. ⧍ā§ĒāϏ⧇.āĻŽāĻŋ āĻ–. ā§§ā§ŽāϏ⧇.āĻŽāĻŋ āĻ—. ā§Šā§ŦāϏ⧇.āĻŽāĻŋ āϘ. ⧧⧍āϏ⧇.āĻŽāĻŋ
ā§Žā§ĒāĨ¤ āĻāĻ•āϟāĻŋ āϏ⧁āώāĻŽ āώāĻĄāĻŧāϭ⧁āĻœā§‡āϰ āĻ…āĻ¨ā§āϤāσāϕ⧋āĻŖāϗ⧁āϞ⧋āϰ āϏāĻŽāĻˇā§āϟāĻŋ āĻ•āϤ?
āĻ•. ā§Šā§Ŧā§Ļ āĻ–. ā§Ģā§Ēā§Ļ āĻ—. ā§Ŧā§Šā§Ļ āϘ. ⧭⧍ā§Ļ
ā§Žā§ĢāĨ¤ āĻŦ⧃āĻ¤ā§āϤ⧇āϰ āĻŦā§āϝāĻžāϏ ā§Šāϗ⧁āĻŖ āĻ•āϰāϞ⧇ āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ āĻ•āϤāϗ⧁āĻŖ āĻŦ⧃āĻĻā§āϧāĻŋ āĻĒāĻžāĻŦ⧇?
āĻ•. ā§Ē āĻ–. ⧝ āĻ—. ⧧⧍ āϘ. ā§§ā§Ŧ
ā§Žā§ŦāĨ¤ āĻāĻ•āχ āϚāĻžāĻĒ⧇āϰ āωāĻĒāϰ āĻĻāĻŖā§āĻĄāĻžāϝāĻŧāĻŽāĻžāύ āϕ⧇āĻ¨ā§āĻĻā§āϰāĻ¸ā§āĻĨ āϕ⧋āϪ⧇āϰ āĻĒāϰāĻŋāĻŽāĻžāĻŖ ā§§ā§§ā§Ļ āĻĄāĻŋāĻ—ā§āϰāĻŋ āĻšāϞ⧇ āĻĒāϰāĻŋāϧāĻŋāĻ¸ā§āĻĨ āϕ⧋āϪ⧇āϰ āĻĒāϰāĻŋāĻŽāĻžāĻŖ āĻšāĻŦ⧇
āĻ•. ā§Ģā§Ģ āĻ–. ā§Ŧā§Ē āĻ—. ā§Ŧā§Ļ āϘ. ⧭⧍
ā§Žā§­āĨ¤ āĻĻ⧁āϟāĻŋ āĻŦāĻŋāĻšā§āĻ›āĻŋāĻ¨ā§āύ āĻŦ⧃āĻ¤ā§āϤ⧇ āĻ•āϝāĻŧāϟāĻŋ āϏāĻžāϧāĻžāϰāĻŖ āĻ¸ā§āĻĒāĻ°ā§āĻļāĻ• āφāρāĻ•āĻž āϏāĻŽā§āĻ­āĻŦ ?
āĻ•. ā§§ āĻ–. ⧍ āĻ—. ā§Š āϘ. ā§Ē

ā§Žā§Ž!āϝāĻĻāĻŋ (x-y,3)= (0,x+2y) āĻšāϞ⧇ (x,y) = ?
a. (1,1)
b,(1.3)
c.(-1,-1)
d.(-3,1)
ā§Žā§¯āĨ¤ā§¨ā§­āĨ¤ āϚāĻŋāύāĻŋāϰ āĻŽā§‚āĻ˛ā§āϝ ⧍ā§Ģ% āĻŦ⧃āĻĻā§āϧāĻŋ āĻĒāĻžāĻ“āϝāĻŧāĻžāϤ⧇ āϕ⧋āύ⧋ āĻāĻ•āϟāĻŋ āĻĒāϰāĻŋāĻŦāĻžāϰ āϚāĻŋāύāĻŋ āĻ–āĻžāĻ“āϝāĻŧāĻž āĻāĻŽāύāĻ­āĻžāĻŦ⧇ āĻ•āĻŽāĻžāϞ⧋ āϝ⧇, āϚāĻŋāύāĻŋ āĻŦāĻžāĻŦāĻĻ āĻŦā§āϝāϝāĻŧ āĻŦ⧃āĻĻā§āϧāĻŋ āĻĒ⧇āϞ āύāĻžāĨ¤ āϐ āĻĒāϰāĻŋāĻŦāĻžāϰ āϚāĻŋāύāĻŋ āĻ–āĻžāĻ“āϝāĻŧāĻžāϰ āĻ–āϰāϚ āĻļāϤāĻ•āϰāĻž āĻ•āϤ āĻ•āĻŽāĻŋāϝāĻŧ⧇āĻ›āĻŋāϞ⧋? []
āĻ•.⧍ā§Ļ% āĻ–. ā§§ā§Ŧ.ā§Ģ% āĻ—.ā§§ā§­% āϘ.ā§§ā§Ž%
⧝ā§ĻāĨ¤āϏāĻŽāϕ⧋āĻŖā§€ āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§‡āϰ āϏāĻŽāϕ⧋āĻŖ āϏāĻ‚āϞāĻ—ā§āύ āĻŦāĻžāĻšā§āĻĻā§āĻŦāϝāĻŧ āϝāĻĨāĻžāĻ•ā§āϰāĻŽā§‡ ā§Š āĻ“ ā§Ē āϏ⧇āĻ¨ā§āϟāĻŋāĻŽāĻŋāϟāĻžāϰ āĻšāϞ⧇ āωāĻšāĻžāϰ āĻ…āϤāĻŋāϭ⧁āϜ āĻ•āϤ āĻšāĻŦ⧇ ? [ā§§ā§ĒāϤāĻŽ āĻŦāĻŋāϏāĻŋāĻāϏ ,
āĻ•. ⧧⧍ āϏ⧇āĻ¨ā§āϟāĻŋāĻŽāĻŋāϟāĻžāϰ  āĻ–, ā§Ģ āϏ⧇āĻ¨ā§āϟāĻŋāĻŽāĻŋāϟāĻžāϰāĨ¤ āĻ—.ā§­āϏ⧇āĻ¨ā§āϟāĻŋāĻŽāĻŋāϟāĻžāϰ āϘ.ā§§ā§Š āϏ⧇āĻ¨ā§āϟāĻŋāĻŽāĻŋāϟāĻžāϰ
⧝⧍āĨ¤ ā§§ āĻŽāĻŋāϟāĻžāϰ⧇ āĻ•āϤ āχāĻžā§āϚāĻŋ?
āĻ•. ā§Šā§­.ā§Šā§¯ āĻ–. ā§Šā§¯.ā§Šā§­ āĨ¤āĻ—. ā§Šā§­.ā§Šā§Ž āϘ. ā§Šā§¯.ā§Šā§Ž
ā§¯ā§ŠāĨ¤āĻāĻ•āϟāĻŋ āϏāϰāϞāϰ⧇āĻ–āĻžāϰ āωāĻĒāϰ āĻ…āĻ™ā§āĻ•āĻŋāϤ āĻŦāĻ°ā§āϗ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ āϐ āϏāϰāϞāϰ⧇āĻ–āĻžāϰ āĻāĻ•-āϚāϤ⧁āĻ°ā§āĻĨāĻžāĻ‚āĻļ⧇āϰ āωāĻĒāϰ āĻ…āĻ™ā§āĻ•āĻŋāϤ āĻŦāĻ°ā§āϗ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ⧇āϰ āĻ•āϤ āϗ⧁āĻŖ
āĻ•.⧍ āĻ–. ā§Š āĻ—. ā§Ē āϘā§Ģ
⧝ā§ĒāĨ¤PERMUTATION āĻļāĻŦā§āĻĻāϟāĻŋāϰ āĻ¸ā§āĻŦāϰāĻŦāĻ°ā§āĻŖ āϗ⧁āϞ⧋āϰ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āύāĻž āĻ•āϰ⧇ āĻ•āϤ āωāĻĒāĻžāϝāĻŧ⧇ āĻĒ⧁āύāĻŦāĻŋāĻ°ā§āĻ¨ā§āϝāĻžāϏ āĻ•āϰāĻž āϝāĻžāĻŦ⧇?
āĻ•)ā§Šā§Ģ⧝
āĻ–)ā§Šā§Ŧā§Ļ
āĻ—)ā§Šā§Ŧā§Ģ
āϘ)ā§Šā§¨ā§Ļ
⧝ā§ĢāĨ¤āĻĒāĻžāχ' āĻāϰ āĻŽāĻžāύ āĻ•āϤ?
āĻ•)ā§Š.ā§§ā§Ēā§§ā§Ŧ
āĻ–)⧍.ā§§ā§Ēā§§ā§Ŧ
āĻ—)ā§Ē.ā§§ā§Ēā§§ā§Ŧ
āϘ)ā§§.ā§§ā§Ēā§§ā§Ŧ
⧝ā§ŦāĨ¤āĻāĻ•āϟāĻŋ āφāϝāĻŧāϤāĻ•ā§āώ⧇āĻ¤ā§āϰ⧇āϰ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ ⧍ā§Ļ% āĻŦ⧃āĻĻā§āϧāĻŋ āĻ“ āĻĒā§āϰāĻ¸ā§āĻĨ ā§§ā§Ļ% āĻšā§āϰāĻžāϏ āĻ•āϰāĻž āĻšāϞ⧇,āĻ•ā§āώ⧇āĻ¤ā§āϰāĻĢāϞ⧇āϰ āĻļāϤāĻ•āϰāĻž āĻ•āϤ āĻĒāϰāĻŋāĻŦāĻ¤ā§āϤāύ āĻšāĻŦ⧇?
āĻ•)ā§­%
āĻ–)ā§Ž%
āĻ—)ā§§ā§Ļ%
āϘ)⧧⧍%
⧝⧭āĨ¤ Logx(1/9)=-2 ,then x ?
a. 3
b. 9
c.6
d. 0
98. if 〖log_ xã€—âĄ324=4, then x= ?
a.3√2
b.2√7
c. 2√5
d.2√3
99.log_(√3)⁥ 81 āĻ•āϤ?
āĻ•.4
āĻ–.27√3
āĻ—.8
āϘ. 1/8
100. x² -y²+2y -1 āĻāϰ āĻāĻ•āϟāĻŋ āĻ‰ā§ŽāĻĒāĻžāĻĻāĻ•
āĻ•. x + y+1
āĻ–. x-y
āĻ—. x + y-1
āϘ. x - y-1

https://www.englishgrammarsite.com/2020/08/effective-sentence.html
https://www.englishgrammarsite.com/2022/03/all-about-completing-sentences.html
https://www.englishgrammarsite.com/2020/12/rules-of-changing-voice-active-to-passive.html
https://www.bcspedia.com/2022/03/for-those-44th-bcs-is-1st-bcs.html

https://www.bcspedia.com/2022/03/gaza-strip-and-west-bank-of-palestine.html

đŸ…ģ🅰🅱🅴đŸ…ģ🆂


āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŦāĻŋāώāϝāĻŧāĻžāĻŦāϞāĻŋ

āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻž āĻ“ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ—āĻžāĻŖāĻŋāϤāĻŋāĻ• āϝ⧁āĻ•ā§āϤāĻŋ

āχāĻ‚āϰ⧇āϜāĻŋ āĻ­āĻžāώāĻž āĻ“ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ­āĻžāχāĻ­āĻž āĻŦā§‹āĻ°ā§āĻĄ

āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āĻĒā§āϰāĻļā§āύ āĻ“ āϏāĻŽāĻžāϧāĻžāύ

āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ V. V. V. I.

āĻ­ā§‚āĻ—ā§‹āϞ (āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻ“ āĻŦāĻŋāĻļā§āĻŦ) āĻĒāϰāĻŋāĻŦ⧇āĻļ āĻ“ āĻĻ⧁āĻ°ā§āϝ⧋āĻ— āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž

āϏāĻžāϧāĻžāϰāĻŖ āĻŦāĻŋāĻœā§āĻžāĻžāύ

āĻšā§āϝāĻžāĻ¨ā§āĻĄāύ⧋āϟ āĻāĻŦāĻ‚ āϤāĻĨā§āϝāĻŦāĻšā§āϞ āϚāĻŋāĻ¤ā§āϰ

āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ•

āϜāĻžāϤ⧀āϝāĻŧ

āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ

āĻĒāĻžāρāϚāĻŽāĻŋāĻļāĻžāϞ⧀ āϤāĻĨā§āϝ + āϏāĻžāϧāĻžāϰāĻŖ āĻœā§āĻžāĻžāύ

āĻŦāĻžāĻ‚āϞāĻž āĻŦā§āϝāĻžāĻ•āϰāĻŖ

āϏāĻžāϧāĻžāϰāĻŖ āĻœā§āĻžāĻžāύ

āĻŦāĻžāĻ‚āϞāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻŦāĻŋāϏāĻŋāĻāϏ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ

āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āĻ“ āϤāĻĨā§āϝāĻĒā§āϰāϝ⧁āĻ•ā§āϤāĻŋ

āύ⧈āϤāĻŋāĻ•āϤāĻž āĻŽā§‚āĻ˛ā§āϝāĻŦā§‹āϧ āĻ“ āϏ⧁āĻļāĻžāϏāύ

English Grammar

āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻļāĻŦā§āĻĻ āĻĒāϰāĻŋāϚāĻŋāϤāĻŋ

āĻŦāĻŋāĻ—āϤ āĻĒāϰ⧀āĻ•ā§āώāĻžāϏāĻŽā§‚āĻš

āĻŽāĻĄā§‡āϞāĻŸā§‡āĻ¸ā§āϟ

āĻŽāĻžāύāϏāĻŋāĻ• āĻĻāĻ•ā§āώāϤāĻž

Vocabulary

āĻ…āύ⧁āĻĒā§āϰ⧇āϰāĻŖāĻž

āĻĢāĻžāρāĻĻ āĻĒā§āϰāĻļā§āύ

āĻŦāĻžāύāĻžāύ āĻļ⧁āĻĻā§āϧāĻŋāĻ•āϰāĻŖ

āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ

āϏāĻ‚āĻŦāĻŋāϧāĻžāύ

āϏāĻžāϧāĻžāϰāĻŖ āĻŦāĻŋāĻœā§āĻžāĻžāύ

ICT

One Word Substitution

Redundancy āĻŦāĻžāĻšā§āĻ˛ā§āϝ (āĻĻā§‹āώ)

Spoken English

āφāχāύāĻ•āĻžāύ⧁āύ

āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āĻŦāĻŋāώ⧟: āϏ⧀āĻŽāĻžāϰ⧇āĻ–āĻž

āφāĻĒāĻĄā§‡āϟ

āφāĻĒāĻĄā§‡āϟ āϤāĻĨā§āϝ

āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ“ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰāĻ•

āφāϞ⧋āϚāĻŋāϤ ā§§ā§§ āϜāύ āĻ•āĻŦāĻŋ-āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āĻ“ āϤāĻžāρāĻĻ⧇āϰ āϰāϚāύāĻžāĻŦāϞ⧀

āχāĻ‚āϰ⧇āϜāĻŋ

āχāĻ‚āϰ⧇āϜāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āωāĻĒāĻžāϧāĻŋ āĻ“ āĻ›āĻĻā§āĻŽāύāĻžāĻŽ

āĻāϟāĻ°ā§āύāĻŋ āĻœā§‡āύāĻžāϰ⧇āϞ

āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āĻ“ āϤāĻĨā§āϝ āĻĒā§āϰāϝ⧁āĻ•ā§āϤāĻŋ

āĻ—āĻŖāĻŋāϤ

āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻĒā§āϰāĻļā§āύ

āϚāĻ°ā§āϝāĻžāĻĒāĻĻ⧇āϰ āĻ•āĻŦāĻŋāĻ—āĻŖ

āĻœā§āĻžāĻžāύ-āĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻļāĻžāĻ–āĻž āĻāĻŦāĻ‚ āϜāύāĻ•

āĻœā§āϝāĻžāĻŽāĻŋāϤāĻŋāĻ• āϏ⧂āĻ¤ā§āϰ

āĻĻ⧇āĻļā§€ āĻŦāĻŋāĻœā§āĻžāĻžāύ⧀āϰāĻž

āύāĻĻ-āύāĻĻā§€

āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž āĻāĻŦāĻ‚ āĻ›āĻĻā§āĻŽāύāĻžāĻŽ

āĻĒāϰāĻŋāĻŦ⧇āĻļ āĻ“ āĻĻ⧁āĻ°ā§āϝ⧋āĻ— āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž

āĻĒāϰāĻŋāĻŽāĻŋāϤāĻŋāϰ (Mensuration) āϏ⧂āĻ¤ā§āϰāĻžāĻŦāϞāĻŋāϏāĻŽā§‚āĻš

āĻĒāĻžāϰāĻŋāĻ­āĻžāώāĻŋāĻ• āĻļāĻŦā§āĻĻ

āĻĒ⧁āϰāĻžāϤāύ āĻ“ āύāϤ⧁āύ āύāĻžāĻŽ

āĻĢāϞāĻž āĻāĻŦāĻ‚ āϝ⧁āĻ•ā§āϤāĻžāĻ•ā§āώāϰ

āĻĢā§āϰāĻžāĻ¨ā§āϏ⧇āϰ āχāϏāϞāĻžāĻŽ-āĻŦāĻŋāĻĻā§āĻŦ⧇āώ

āĻŦāĻžāĻ‚āϞāĻž

āĻŦāĻžāĻ‚āϞāĻž āĻ“ āχāĻ‚āϰ⧇āϜāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇āϰ āĻŽāĻŋāϞāĻŦāĻ¨ā§āϧāύ

āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻž āĻ“ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻ“ āĻŦāĻŋāĻļā§āĻŦāĻĒāϰāĻŋāϚāϝāĻŧ

āĻŦāĻžāĻ—āϧāĻžāϰāĻž

āĻ­āĻžāώāĻž āφāĻ¨ā§āĻĻā§‹āϞāύ

āĻ­ā§‚āĻ—ā§‹āϞ

āϭ⧌āĻ—ā§‹āϞāĻŋāĻ• āωāĻĒāύāĻžāĻŽ

āĻŽāĻĄā§‡āϞ āĻŸā§‡āĻ¸ā§āϟ

āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ āĻ­āĻŋāĻ¤ā§āϤāĻŋāĻ• āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻ•āĻ°ā§āĻŽ

āϞāĻŋāĻ–āĻŋāϤ āĻĒāϰ⧀āĻ•ā§āώāĻž

āϞ⧇āĻ–āĻž āĻ“ āϞ⧇āĻ–āĻ•

āĻļā§āϰ⧇āĻˇā§āĻ  āĻŦāĻžāĻ™āĻžāϞāĻŋ

āϏāĻ‚āĻŦāĻŋāϧāĻžāύ āϏāĻ‚āĻļā§‹āϧāύ⧀

āϏāĻĻāϰ-āĻĻāĻĒā§āϤāϰ

āϏāĻ­ā§āϝāϤāĻž

āϏāĻŽāĻžāϏ

āϏāĻžāĻœā§‡āĻļāύ

āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ•

āϏāĻžāĻšāĻŋāĻ¤ā§āϝ-āĻ‰ā§ŽāϏāĻ°ā§āĻ—

āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇ āĻ•āύāĻĢāĻŋāωāĻļāύ

āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ āĻ“ āĻ¸ā§āĻĨāĻĒāϤāĻŋ

āĻ¸ā§āĻĒā§‹āϕ⧇āύ āχāĻ‚āϞāĻŋāĻļ

ā§Ē. āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āĻŦāĻŋāώāϝāĻŧāĻžāĻŦāϞāĻŋ

ā§Ēā§Ļā§ĻāϟāĻŋ āĻĒā§āϰāĻļā§āύ⧋āĻ¤ā§āϤāϰ: āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āĻāĻŦāĻ‚ āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ-āĻĒā§āϰāϝ⧁āĻ•ā§āϤāĻŋ

ā§Ģ⧍ āĻĨ⧇āϕ⧇ ā§­ā§§

ā§­ āĻŽāĻžāĻ°ā§āϚ